Why Jon Batiste is the Master of Genre Bending
Philip Marten Philip Marten

Why Jon Batiste is the Master of Genre Bending

In his 2024 album "Beethoven Blues," Jon Batiste utilizes a similar polystylism to Satie and Schnittke but takes it a step further and opens it up to the very concept of Genre rather than specific styles within a genre.

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The End of the Violinist-Composer
Philip Marten Philip Marten

The End of the Violinist-Composer

Between 1644 and 1913, there was just under an average of one violinist- composer of note born every year. From 1913-1964, a 51-year period, only five were born, and since then maybe another fifteen. That is about a 65% drop in the last century compared to the consistent pace of the previous 269 years.

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A Complete History of the Violinist-Composer
Philip Marten Philip Marten

A Complete History of the Violinist-Composer

A relatively comprehensive list of violinist-composers throughout history, including their country of origin, notable teachers where relevant, and the kinds of repertoire they composed revolving mainly around ensemble type.

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Why ‘Poor Things’ Should Have Won Best Original Score
Philip Marten Philip Marten

Why ‘Poor Things’ Should Have Won Best Original Score

As the 96th Academy Awards approached this last month, I found myself particularly invested in the category of Best Original Score. It had become increasingly my impression that Oppenheimer would win in many categories, but I couldn't help but hope that it wouldn't nab Best Original Score. Here’s why.

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The Disneyfication of Ballet
Philip Marten Philip Marten

The Disneyfication of Ballet

This trend could easily be argued to be part of the Disneyfication that has taken place in much of popular culture, where storylines are endlessly recycled and we rely on a small number of IPs to produce a huge amount of entertainment. But in this case, we trade in our Mickey Mouse ears for a tiara and a tutu.

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